Pondering the Pertinence of Politics
As a sociologist specializing in social inequalities, I constantly
ponder the politics of representation in my writing. For whom am I empowered or
entitled to speak? I’m committed to representing a world that looks a lot like
the one in which I live. To that end, I want to feature in my stories women and men of
color, non-straight folks, people of differing appearances and body sizes, and
individuals with varying abilities, but can I? Should I?
Because of all this, my current literary project is kicking
my booty. For some reason that I’m pretty sure borders on masochism, I decided this
summer to pen a science fiction/fantasy/romance novel that focuses on the
interactions of my world’s social outcasts, who just happen to be people with
disabilities. I’m 40 thousand words into my novel, and although I’m in profound
love with my characters, I also write the words with a burden of deep unease.
A way cool image I found at www.dudeimanaspie.com. "Aspie," btw, refers to a person with Asperger's syndrome. |
Earlier this week, I ran across a powerful blog entry that
emphasized the responsibility of authors to represent people with disabilities
as multifaceted and real. I melted into a pool of, well, let's face it: liberal guilt. I want
to highlight the social construction of disabilities, but should I? Am I doing
a good thing? Do I do it well, let alone appropriately? Do I have the right to
try? Or am I, as Ada
Hoffman hints, a neurotypical
writer drowning in my own self-righteous smugness?
As if that weren't enough to keep my brain spinning for
months, I’m also biting my nails over the very presence of politics in my
novels. I’m enormously political; my interest in politics and social
inequalities is almost branded into my genes. And between you and me, my first
foray into fiction writing – my novelette, Hunted – featured a great deal of commentary on social class inequalities. In the first draft. While
trying to find a publishing home for it, I stumbled across advice from various editors
and chose to scrub most of the politics from my poor little paranormal
romance. I try to keep politics from traipsing
through my work wearing sequin suits, sporting sparklers, and riding trumpeting
elephants, but my politics and my passion for equality sneak into my work in
myriad small ways.
In short, my inner sociologist remains trapped in limbo,
debating whether I’m being presumptuous or socially responsible, while my
internal author chews her lip, wondering how far I can and should push the
envelope with my paranormal romance novels.
Please tell me I’m not the only one who agonizes over the
politics of my worlds, of my characters, of the assumptions governing my
choices of all of the above. And if others navigate these questions, what considerations
weigh most heavily with you?
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